This installation explores the ideas of surveillance capitalism, consumer culture and public engagement through interactive media in space. The experience puts visitors in a narrative disengaged from the reality of time, in a space where technology is mishandled, and out of place. The use of futuristic surveillance cameras, CRT Monitor, and digital screens, all seemingly existing in different points of time, is placed together to simulate the confusion and uncertainty of the outside world with respect to the inside space. The apparent business and over-stimulated expressions of the space indicates a sense of paranoia involved while engaging with information from a situation alienated from the society. Newspapers as media of information are treated as the accumulated evidence of the culture, and its history.